Young Adult Matters (2020) (korean) -

Director Lee Hwan utilizes a handheld, documentary-style cinematography that traps the viewer in the claustrophobic reality of the characters. The performances are the film’s emotional anchor:

Delivers a gritty, transformative performance that breaks away from her "idol" persona, embodying the hardened cynicism of a long-term runaway. Conclusion: A Society in Denial Young Adult Matters (2020) (Korean)

Portrays a character whose outward apathy and constant, eerie smile mask a profound internal dissociation. The film highlights how systemic failure forces young

The narrative follows Se-jin, an eighteen-year-old high school student who finds herself pregnant and abandoned by the teacher responsible. Cast out by her family and school, she meets Ju-yeong, another runaway. Their journey is not a typical "road movie" of self-discovery, but a repetitive cycle of survival. The film highlights how systemic failure forces young adults into a "gray zone" of legality, where petty theft and scams become the only means to afford basic necessities like a meal or a place to sleep. The Illusion of "Family" Jae-pil and Sin-hwi

A central theme is the reconstruction of "family" among those the traditional unit has failed. Se-jin and Ju-yeong eventually link up with two boys, Jae-pil and Sin-hwi, forming a makeshift quartet. However, the film refuses to romanticize this bond. Their "family" is built on shared trauma and mutual utility rather than stable affection. The friction within the group—often erupting into sudden, jarring violence—underscores the idea that trauma often begets further trauma, even among those who should be allies. Brutal Realism and Performance

Young Adult Matters concludes without easy answers or a redemptive arc. Instead, it serves as a scathing critique of a society that prioritizes "saving face" and academic success over the physical and mental safety of its youth. By focusing on the extreme physical toll and the "matter-of-fact" nature of their suffering, the film forces the audience to acknowledge the invisible teenagers living in the shadows of South Korea’s neon-lit cities.