Werrason & Wenge Maison Mгёre - Temps — Prг©sent ( Officiel)
Tracks like the title song "Temps Présent" reflect on the complexities of modern life, human relationships, and the socio-political climate of the Democratic Republic of the Congo.
To this day, the album is remembered for its high production value and its role in keeping the spirit of Wenge alive during a decade of intense competition. It remains an essential listen for anyone seeking to understand the evolution of modern African music. Tracks like the title song "Temps Présent" reflect
Temps Présent was more than just a collection of songs; it was a cultural event that reasserted Werrason's dominance in the "Big Four" of Congolese music (alongside Koffi Olomidé, JB Mpiana, and Papa Wemba). It demonstrated that despite the internal friction typical of large Congolese orchestras, Werrason possessed the leadership and artistic vision to remain relevant in a rapidly changing musical landscape. Temps Présent was more than just a collection
The album , released in 2008 by Werrason and his band Wenge Musica Maison Mère , stands as a pivotal chapter in the history of Congolese Rumba and Ndombolo. Coming nearly a decade after the original Wenge Musica split, this project solidified Werrason’s reputation as the "Roi de la Forêt" (King of the Forest) and showcased his ability to reinvent his sound for a new era. The Musical Context: "Mayi Ya Sika" Coming nearly a decade after the original Wenge
The album is a massive double-disc effort, characterized by its thematic breadth:
The subtitle, Mayi Ya Sika (New Water), was a deliberate statement. Following the departure of several key band members to form "Les Marquis de Maison Mère" years prior, Werrason used this album to introduce a refreshed lineup and a more polished, experimental sound. While maintaining the high-energy "sebene" (dance breaks) that fans expected, Temps Présent leaned heavily into intricate guitar arrangements and diverse vocal harmonies that bridged the gap between classic Rumba and contemporary African pop. Key Tracks and Artistic Direction
Songs like "Point d'Interrogation" and "Confession Intime" showcase the technical mastery of his guitarists and the infectious "cris d'animation" (shouts) that defined the Ndombolo dance craze.
