: Shapes like circles, squares, and triangles have inherent meanings. For example, rounded shapes may suggest friendliness or organic life, while sharp angles and triangles can signal danger or precision.
A key takeaway from Block’s framework is that the visual structure must mirror the story structure. Just as a story has an , the visuals should follow a similar graph: The Visual Story: Creating the Visual Structure...
: Often the most misunderstood component, color is used to symbolize themes and trigger specific emotional responses . Creators control color through hue (the color itself), brightness, and saturation. : Shapes like circles, squares, and triangles have
: Found in both stationary objects (repetition of lines) and moving ones, rhythm is also heavily dictated by editing pace . The Principle of Contrast and Affinity Just as a story has an , the
: Use the highest level of visual contrast to match the story's most intense moment.
: This refers to the physical and psychological depth within the frame. Creators can choose between Deep Space (creating a 3D illusion), Flat Space (emphasizing 2D), or Ambiguous Space (creating unease) to reflect the story’s emotional landscape.
: As the first thing to attract a viewer's eye, movement includes the motion of objects within the frame, the movement of the camera itself, and the audience's point-of-attention.