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Óâàæàåìûå äðóçüÿ è ó÷àñòíèêè ïðîåêòà iXBT.photo! Ê ñîæàëåíèþ, 1 ìàðòà 2026 ãîäà ïðîåêò iXBT.photo ïðåêðàòèò ñâîþ ðàáîòó è áóäåò çàêðûò. Ìû âûñîêî öåíèì âàøå ó÷àñòèå è òîò âêëàä, êîòîðûé âû âíåñëè â ðàçâèòèå íàøåãî ñîîáùåñòâà. Ïîæàëóéñòà, íå çàáóäüòå ñîõðàíèòü âàøè ôîòîãðàôèè äî ýòîé äàòû.
Ñ óâàæåíèåì, êîìàíäà iXBT.com
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Ñåêñ-óëèöà))
- Ðàçäåë: Ïóòåøåñòâèÿ
- Äàòà ñú¸ìêè: 07.07.2013 19:22
- Äàòà çàãðóçêè ôîòî: 19.08.2013 15:25
- Îðèãèíàëüíàÿ ôîòîãðàôèÿ: 4288 x 2848 (5,8 Ìá)
- Òåõíè÷åñêèå õàðàêòåðèñòèêè:
- Ôîòîàïïàðàò: Nikon D90
- Âûäåðæêà: 1/200
- Ãèïåðôîêàëüíîå ðàññòîÿíèå: inf m
- Äèàôðàãìà: 6,3
- Ñâåòî÷óâñòâèòåëüíîñòü: 200
- Ôîêóñíîå ðàññòîÿíèå: 48,0 mm (35 mm equivalent: 48,0 mm)
- Ïîëíûé EXIF
- Adobe
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- Composite
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- CircleOfConfusion: 0,020 mm
- DOF: inf (0,00 m - inf)
- FOV: 41,0 deg
- Flash: Auto, Fired, Return detected
- FocalLength35efl: 48,0 mm (35 mm equivalent: 48,0 mm)
- HyperfocalDistance: inf m
- LensID: AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
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- ShutterSpeed: 1/200
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- DateTimeOriginal: 2013:07:07 19:22:15
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- ExposureTime: 1/200
- FNumber: 6,3
- FileSource: Digital Camera
- Flash: Auto, Fired, Return detected
- FocalLength: 48,0 mm
- FocalLengthIn35mmFormat: 72 mm
- GainControl: None
- ISO: 200
- LensInfo: 18-105mm f/3.5-5.6
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- LightSource: Unknown
- MaxApertureValue: 4,8
- MeteringMode: Multi-segment
- Saturation: Normal
- SceneCaptureType: Standard
- SceneType: Directly photographed
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- SerialNumber: 6620826
- Sharpness: Normal
- ShutterSpeedValue: 1/200
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- SubSecTimeOriginal: 00
- SubjectDistance: 4294967295 m
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- ICC-header
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- ICC-meas
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- MeasurementObserver: CIE 1931
- ICC-view
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- ViewingCondIlluminantType: D50
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- IFD0
- Make: NIKON CORPORATION
- Model: NIKON D90
- ModifyDate: 2013:08:06 14:07:07
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- DateTimeOriginal: 2013:07:07 19:22:15.00+04:00
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- ExifImageWidth: 4288
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- ExposureCompensation: 0
- ExposureMode: Auto
- ExposureProgram: Not Defined
- ExposureTime: 1/200
- FNumber: 6,3
- FileSource: Digital Camera
- FlashFired: True
- FlashFunction: False
- FlashMode: Auto
- FlashRedEyeMode: False
- FlashReturn: Return detected
- FocalLength: 48,0 mm
- FocalLengthIn35mmFormat: 72 mm
- GainControl: None
- ISO: 200
- LightSource: Unknown
- MaxApertureValue: 4,8
- MeteringMode: Multi-segment
- Saturation: Normal
- SceneCaptureType: Standard
- SceneType: Directly photographed
- SensingMethod: One-chip color area
- Sharpness: Normal
- ShutterSpeedValue: 1/200
- SubjectDistance: 4294967295 m
- SubjectDistanceRange: Unknown
- WhiteBalance: Auto
- XMP-tiff
- ImageHeight: 2848
- ImageWidth: 4288
- Make: NIKON CORPORATION
- Model: NIKON D90
- ResolutionUnit: inches
- XResolution: 240
- YResolution: 240
- XMP-xmp
- CreateDate: 2013:07:07 19:22:15.00+04:00
- ModifyDate: 2013:08:06 14:07:07+04:00
- Rating: 4
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- Ïðîñìîòðîâ: 655
- Ðåéòèíã: ãîëîñîâ åùå íåò
- Îòçûâîâ: 0
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Ïîëó÷èòü êîä äëÿ áëîãà
Scatman John Online
By his late 40s, John was a talented but struggling jazz pianist, battling alcoholism and drug addiction. It wasn't until his early 50s—an age the industry considers "ancient" for a pop star—that he made the radical choice to stop hiding. He alchemized his stutter into , realizing that the repetitions in his speech were actually rhythmic assets. Turning Pain into Power
The story of Scatman John (born John Paul Larkin) isn’t just a 90s nostalgia trip; it’s a profound masterclass in transforming personal trauma into a global gift. The Man Behind the "Ski-Ba-Bop" Scatman John
When "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" became a global sensation in 1995, it wasn't just a catchy dance track. It was a manifesto. By his late 40s, John was a talented
For most of his life, John Larkin lived in the shadows of a severe stutter. Born in 1942, his childhood was defined by the agonizing silence that comes when your voice refuses to cooperate. He spent years feeling "broken," turning to the piano as his primary way to communicate without the "blocks" that hindered his speech. Turning Pain into Power The story of Scatman
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