[s1e30] (29-30)scare Tactics/the Bad Boy Bobby ... ◉

Bobby is frequently accompanied by his loyal stuffed spider, Webbly , and his adventurous Uncle Ted .

Bobby suffers from nightmares and becomes terrified of a "mysterious" house on his block.

The title is a play on the 1955 film Rebel Without a Cause . Show Overview

The series focuses on the daily life of 4-year-old Bobby Generic (pronounced "JEN-er-ick"), whose vivid imagination leads him to daydream absurd scenarios based on literal interpretations of what adults say.

The titles " Scare Tactics " and "The Bad Boy Bobby" refer to segments from the classic 1990s animated series , created by and starring Howie Mandel. While episode numbering can vary across platforms, these segments typically correspond to the following plotlines: Scare Tactics (aka "Nightmare on Bobby's Street")

This segment serves as a parody of the classic movie To Kill a Mockingbird . The Bad Boy Bobby (aka "Rebel Without a Clue")

Modeling Reality

Modeling Nature and Physics is a growing practice for reaching true-to-life systems simulations with 'alive' feedbacks, including complexity management and unpredictability integration.

While in the past running an accurate Physical Modeling simulation was possible (due to its complexity) only on expensive multi-processor workstations or even computer clusters, today thanks to the exponential increase of modern CPUs' processing power, reaching parity with real instruments is possible in real-time (including polyphony and multi-istances possibilities) at a fraction of the costs.

IronAxe is the first in a series of instruments developed by Xhun Audio to use this revolutionary technology. The core of this kind of approach is the interaction between the Instrument's model, the Performer's model and the Unpredictability simulation.

All the six Strings, the Transducers (Pickups), the Plectrum/Finger excitation and more as well as Performer's actions like Palm Muting, Tapping Harmonics (even muting a String after its excitation is possible) are physically simulated. Add Unpredictability (instrument's and performances' micro-imperfections) to the equation and what you hear at the end of the whole process is given by the interaction of this three worlds.

The result is an 'alive' instrument, a state-of-the-art simulation for an unparalleled realism.