Diavolo Tuo Ne Lo Mio Inferno (1972) B... | Metti Lo

While often dismissed by critics of the time as "trash" cinema, films like Metti lo diavolo tuo... are now viewed as fascinating cultural artifacts. They represent a brief window in Italian history when the country was rapidly modernizing and breaking away from strict traditional and religious taboos.

The film doesn't aim for high art; it aims for a wink and a laugh. With its jaunty score and vibrant cinematography, it remains a quintessential example of the "B-movie" energy that defined 70s Italian exploitation cinema. Metti lo diavolo tuo ne lo mio inferno (1972) B...

Often featuring genre staples like Antonio Cantafora (frequently credited as Michael Coby), who brought a rugged, leading-man charm to the chaotic proceedings. Why It Matters Today While often dismissed by critics of the time

Following Pasolini's The Decameron (1971), Italian producers realized there was a massive market for "low-brow" medieval comedies. These films shared a specific DNA: The film doesn't aim for high art; it

For fans of retro cult cinema, this film is a vibrant time capsule. It’s a reminder of an era when the "devil" was less about horror and more about the playful, mischievous side of human nature.

Saints, Sinners, and Slapstick: A Look Back at "Metti lo diavolo tuo ne lo mio inferno"

The title itself is a play on a famous story from Boccaccio’s The Decameron , involving a monk "teaching" a young girl how to "put the devil back into hell"—a thinly veiled (and very popular) euphemism of the era. The Decamerotic Formula