Maria Bonita-lhkzcp8f.mp4 Page

: Featured in FEJ (2022) , this paper examines the cultural memory of the cangaço (specifically Maria Bonita and Lampião) as a "cinematic chronotype" and a symbol of resistance to government oppression.

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: This paper by von Hartenthal (2015) analyzes the visual production and gender negotiations within Lampião's group, focusing on the 1930s. It discusses the famous photos and films taken by Benjamin Abrahão in 1936, which often feature Maria Bonita. : Featured in FEJ (2022) , this paper

: Published in Comparative Cinema (2024) , this article analyzes filmmaker Norma Bengell's unfinished project titled Maria Bonita . It explores women's cinematographic practices in Brazil and the tension between public and private spaces. It discusses the famous photos and films taken