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Next, he built a granular synthesizer that didn't just loop audio, but mimicked the way light filters through a canopy. He called it The grains of sound didn't trigger at set intervals; they flickered and shimmered based on the unpredictable movement of the wind he’d recorded in the pines.
When he finally pressed play, the music didn't sound like a "song" in the traditional sense. It breathed. A deep, sub-bass pulse mimicked the slow, tectonic shift of the earth, while organic textures swirled in the mid-range like a flock of starlings changing direction in mid-air. Inspired by Nature [Max for Live]
He designed a device called Instead of a standard grid, the notes grew like fungal networks—branching out based on "moisture" and "nutrient" parameters he’d mapped to the velocity of his field recordings. Next, he built a granular synthesizer that didn't
Next, he built a granular synthesizer that didn't just loop audio, but mimicked the way light filters through a canopy. He called it The grains of sound didn't trigger at set intervals; they flickered and shimmered based on the unpredictable movement of the wind he’d recorded in the pines.
When he finally pressed play, the music didn't sound like a "song" in the traditional sense. It breathed. A deep, sub-bass pulse mimicked the slow, tectonic shift of the earth, while organic textures swirled in the mid-range like a flock of starlings changing direction in mid-air.
He designed a device called Instead of a standard grid, the notes grew like fungal networks—branching out based on "moisture" and "nutrient" parameters he’d mapped to the velocity of his field recordings.