The title Inbetween Girl reflects Angie’s biracial identity and the feeling of never fully fitting into any one category. This liminality is a central theme: she is navigating her Chinese heritage while living in a predominantly white, religious school environment. The film avoids "flattening" these complex emotions, instead building "gradients of nuance" into a period of life often experienced as an emotional apocalypse.
: Angie uses vivid illustrations and doodles to process feelings of happiness, guilt, and shame that she cannot yet put into words. The "In-Between" Identity Inbetween Girl
: Caught in the fallout of her parents' divorce, Angie feels disconnected from her busy mother and alienated by her father’s new life and girlfriend. : Angie uses vivid illustrations and doodles to
One of the most profound aspects of the film is its subversion of the "rival girls" trope. Instead of making Sheryl (the girlfriend) a villain, the film develops a genuine, complex friendship between her and Angie. This relationship addresses the "made-up competition" between women and asks what it truly means for women to support each other, even when they are both flawed and making mistakes. Instead of making Sheryl (the girlfriend) a villain,
Inbetween Girl succeeds by embracing ambiguity. Through Angie’s video diaries and artistic output, the film captures the vulnerability of a teenager learning to prioritize the right things and, ultimately, learning to "speak her own name". It is a story about realizing that life isn't lived in the extremes of "misery and ecstasy," but in the complicated, beautiful shades of grey in between. Inbetween Girl — Mei Makino - In Review Online
: Angie enters a secret relationship with Liam, the popular boy at her Episcopalian high school, while he is still dating his "too Catholic" girlfriend, Sheryl. This dynamic forces Angie into a literal "in-between" status—significant enough for sexual intimacy but hidden from public life.