: Includes movements with modern titles like "Ils se sont trouvés sur Tinder" and "After-Hours," which ground the classical format in contemporary social experiences.

At the heart of the album is Grégoire Blanc’s mastery of the theremin—a "no-contact" electromagnetic instrument. Blanc, a French virtuoso who helped Moog Music develop the Claravox Centennial theremin, uses the instrument's unique timbre to bridge the gap between human vocalization and electronic synthesis. In tracks like "Ils se sont trouvés sur Tinder," he pushes the instrument's range from "disturbing gravely textures" resembling a contrabassoon to sharp, violin-like highs. 2. Compositional Vision of Aleks Schürmer

: A solemn set that includes "Serpentine" and "Vertex," where the theremin’s silence is used as effectively as its sound to convey a sense of powerlessness.