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The recording features a mix of Gipps' symphonic and shorter works, primarily composed in the 1940s:

A "brooding miniature tone poem" inspired by William Blake, noted for its "chilling sting in its tail".

The orchestra is noted for its "bright colors," "swaggering energy," and "sharp attack" under Gamba's direction. Gamba is described as a "fine advocate" for Gipps' long-neglected repertoire. Key Works on the Album The recording features a mix of Gipps' symphonic

Reviewers from Gramophone and AllMusic praised Koch's performance in the Oboe Concerto , noting her ability to navigate "sharply contrasting moods" and "lyrical" passages with "impressive facility".

Highlighting Koch's virtuosity, this work is described as having "pungent and individual delights," shifting from violent to "gracefully plaintive" moods. Key Works on the Album Reviewers from Gramophone

The album you're asking about is , released by Chandos Records . While the filename mentions "Vol 3," the inclusion of soloist Juliana Koch identifies this as the second volume in the series. Overview of the Performance

A "farmyard portrait" featuring "snarling brass chords" and "flutter-tongued fanfares". Critical Consensus Gipps: Orchestral Works Volume 3 (Chandos) While the filename mentions "Vol 3," the inclusion

This release has received widespread critical acclaim, notably being named an by Limelight Magazine .