: His playing bridges the gap between stride and bebop, offering stellar rhythmic support and tasteful solos.
The 1992 CD reissue of Coleman Hawkins’ (originally recorded in 1958 for Prestige) stands as a vital bridge between the foundational swing era and the emerging "soul jazz" movement of the late 1950s. While often sought by audiophiles in EAC-FLAC (Exact Audio Copy - Free Lossless Audio Codec) format to preserve the warmth of Rudy Van Gelder’s original engineering, the album itself is a masterclass in mature, expressive improvisation. Harmonic Sophistication and the "Soul" Aesthetic
Hawkins' reputation was built on his 1939 recording of "Body and Soul," and that mastery of balladry is evident here. Coleman Hawkins - Soul (1992) [EAC-FLAC]
: His "rhapsodic, personal version" of this traditional tune is exquisitely breathy . While some critics found it "difficult to sit through" due to its sentimentality, others view it as a prime example of his ability to personalize familiar material.
One of the album's defining characteristics is Hawkins' choice of personnel. He famously sought out the "best of the young musicians," and here he is backed by a rhythm section that provides a modern, swinging foundation: : His playing bridges the gap between stride
Recorded on November 7, 1958, at the legendary Van Gelder Studio , the album captures Hawkins in his fifties, an "elder statesman" who remained remarkably open to younger influences. Despite the title, this is not a gritty R&B record; rather, it explores "soul" through the lens of deep blues feeling and gospel-tinged phrasing.
: A "high-watermark interpretation" of a standard that showcases his lush tone and intricate harmonic substitutions. Historical Significance One of the album's defining characteristics is Hawkins'
: They maintain a steady, locked-in time that allows Hawkins the freedom to explore the "space" above the beat. The Master of Balladry
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