Chinese Box(1997) Apr 2026

A dying British journalist whose terminal leukemia serves as a direct symbol for the fading British colonial era in Hong Kong.

A local street hustler with a literal facial scar that represents the permanent mark left by Western abandonment following her past romance with a British boy. Key Analytical Themes Chinese Box(1997)

Scholars and critics often focus on these "deep" layers of the narrative: Intersections: Chinese Box - Camera Box A dying British journalist whose terminal leukemia serves

The film’s depth lies in how its characters mirror the geopolitical landscape of the time: The film’s title refers to a frame narrative

Wayne Wang’s is a cinematic meditation on the 1997 Hong Kong handover , using personal tragedy as a metaphor for political transition. The film’s title refers to a frame narrative structure —stories within stories—where the layers of the city are revealed through the "boxes" of individual memory and documentation. Core Metaphors and Symbolism

A Mainland Chinese woman and former bar girl who represents the evolving soul of Hong Kong —caught between her colonial past and an uncertain future with a wealthy Mainland businessman.

7 thoughts on “GD Column 14: The Chick Parabola

  1. “The problem is that the game’s designers have made promises on which the AI programmers cannot deliver; the former have envisioned game systems that are simply beyond the capabilities of modern game AI.”

    This is all about Civ 5 and its naval combat AI, right? I think they just didn’t assign enough programmers to the AI, not that this was a necessary consequence of any design choice. I mean, Civ 4 was more complicated and yet had more challenging AI.

  2. Where does the quote from Tom Chick end and your writing begin? I can’t tell in my browser.

    I heard so many people warn me about this parabola in Civ 5 that I actually never made it over the parabola myself. I had amazing amounts of fun every game, losing, struggling, etc, and then I read the forums and just stopped playing right then. I didn’t decide that I wasn’t going to like or play the game any more, but I just wasn’t excited any more. Even though every game I played was super fun.

  3. “At first I don’t like it, so I’m at the bottom of the curve.”

    For me it doesn’t look like a parabola. More like a period. At first I don’t like it, so I don’t waste my time on it and go and play something else. Period. =)

  4. The example of land units temporarily morphing into naval units to save the hassle of building transports is undoubtedly a great ideas; however, there’s still plenty of room for problems. A great example would be Civ5. In the newest installment, once you research the correct technology, you can move land units into water tiles and viola! You got a land unit in a boat. Where they really messed up though was their feature of only allowing one unit per tile and the mechanic of a land unit losing all movement for the rest of its turn once it goes aquatic. So, imagine you are planning a large, amphibious invasion consisting of ten units (in Civ5, that’s a very large force). The logistics of such a large force work in two extreme ways (with shades of gray). You can place all ten units on a very large coast line, and all can enter ten different ocean tiles on the same turn — basically moving the line of land units into a line of naval units. Or, you can enter a single unit onto a single ocean tile for ten turns. Doing all ten at once makes your land units extremely vulnerable to enemy naval units. Doing them one at a time creates a self-imposed choke point.

    Most players would probably do something like move three units at a time, but this is besides the point. My point is that Civ5 implemented a mechanic for the sake of convenience but a different mechanic made it almost as non-fun as building a fleet of transports.

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