Leo began to work. He moved his mouse to the Basic panel. With a gentle tug on the Exposure and Shadows sliders, Lightroom CC 6.7 went to work. Thanks to the camera raw processing engine of that era, the deep shadows began to yield their secrets. The textures of the black volcanic sand appeared, and the glassy, intricate details of the ice crystals began to shimmer.
But Leo had thousands of photos to process, and doing this one by one would take weeks. He selected his master edit, highlighted the rest of the shoot from that night, and clicked 'Sync'. Lightroom CC 6.7 crunched through the data, instantly applying his custom profile to hundreds of images. Adobe Photoshop Lightroom CC 6.7 (2015.7)
Leo was a purist who pushed his camera to its absolute limits, often capturing high-contrast scenes that left his highlights blown out and his shadows as dark as night. Sitting in his dimly lit studio, he opened his catalog in Adobe Photoshop Lightroom CC 6.7, also known as the 2015.7 update. This specific version had just been released, and Leo was eager to see if it could handle the massive volume of his demanding project. Leo began to work
Next, he pulled down the Highlights slider. Suddenly, the overexposed core of the aurora narrowed, revealing delicate, wave-like structures within the light that Leo hadn’t even realized his sensor had captured. He added a touch of Clarity to punch up the midtone contrast and used the targeted adjustment tool in the HSL panel to make the emerald greens of the sky truly pop without making the rest of the scene look artificial. Thanks to the camera raw processing engine of
In the autumn of 2016, a digital photographer named Leo was drowning in a sea of raw files. He had just returned from a month-long expedition in the Icelandic highlands, carrying over ten thousand photographs of black sand beaches, neon-green moss, and the elusive dance of the aurora borealis.